Notes from Susan: The Power of Rohingya Art

Notes from Susan: The Power of Rohingya Art

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Notes from Susan: The Power of Rohingya Art

By Susan MacLaury

Several years ago I was fortunate enough to travel to Kenya and Uganda with a non-profit called AMREF (now AMREF Health Africa) as part of the filming of War/Dance. One of our stops was in a Masai village in the heart of the savannah.

 In that village, women assumed the roles of health educators who taught how to reduce the likelihood of trypanosomosis (“sleeping sickness”), often carried by tsetse flies traveling on cattle, by encouraging villagers to keep them in pens on the outskirts of their settlement rather than its center. Because they were largely illiterate, they did this through song and dance, using a colorful banner with drawings to make their point. At one point one of the dancers pulled me to my feet to join them. I still remember my daughter falling backward off the log she was sitting on because she was laughing so hard at my efforts to imitate them.

 But I digress.

 I was reminded of that day over the weekend after reading a moving article about a Rohingya artist and refugee, Mohammed Mur, who along with hundreds of thousands of others from the Rakhine State in Myanmar were forced to flee to avoid being murdered for being stateless Muslims. One can only imagine the trauma they experienced at what they endured. 

 Most ended up in camps in Bangladesh, where they’ve been living under dangerous,  overcrowded conditions. Mohammed lives in the Balukhali Camp, site of the Artolution arts program. He is one of several refugees who have found a way to confront and share their traumatic experiences through art. Equally helpful, Artolution artists also have learned to use their talents to convey public health messages, much like the Masai women.

 The power of art to express hope is undeniable. We at Shine Global are so grateful to have the opportunity to bring the Rohingya crisis to the forefront of global consciousness through our support of “Hossain,” the feature length documentary directed by Taimi Arvidson and produced by Brette Ragland. Shine Global will do all it can to ensure that this film becomes one more way the Rohingya can educate world leaders and create positive solutions for the pressing need to resettle more than 700,000 of them safely.

Take care,

Susan MacLaury
Executive Director and Co-Founder of Shine Global

 

 

 

Your New Favorite Black Artist: M Jamesly Saint Louis

Your New Favorite Black Artist: M Jamesly Saint Louis

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Your New Favorite Black Artist: M Jamesly Saint Louis

 

By Naomi Roberts

From the time M Jamesly Saint Louis knew how to hold a pencil he has been creating art. Today, M Jamesly is a multi-disciplinary artist and activist studying art at Rhode Island School of Design. M Jamesly is also the recipient of the Scholastic Art award for Best Teen Art of 2020, and the recipient of the 2020 Silver Knight award for art. In addition to these accolades M Jamesly is also the youngest artist to be given studio space at Bailey Contemporary Arts. 

While his achievements as an artist and young creative speak for themselves, what matters to M Jamesly most is the focus and purpose of his art: to portray Blackness honestly and in all of its facets. From the words of his artist statement, M Jamesly “lovingly centers Black people, Black culture, Black joy, Black moments, and at times Black trauma”.

While M Jamesly is focused on all parts of Black life, he doesn’t want his art to solely be defined by the trauma it sometimes depicts. Through his art M Jamesly seeks to disrupt harmful narratives about Black life and instead show the beauty, nuance, and joy that exists within himself and his community.

To learn more about M Jamesly, his incredible art, and why Shine Global shining a light on him this week, check out his full interview with Sean Conrad as part of our Shining A Light series!

 

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