Director André Robert Lee on Why He’s Making Virtually Free

Director André Robert Lee on Why He’s Making Virtually Free

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Director André Robert Lee on Why He’s Making Virtually Free

By André Robert Lee

I do this work for selfish reasons. I do it so I can sleep better at night. In these terrible times, I must fight for justice with my art. This Virtually Free project will do just that.

When I first got the call about this project I was a “yes” as soon as I heard that we could help incarcerated teens. Being a black man in America, I statistically know and am related to people that have been or are in jail. I entered this project thinking I understood the prison pipeline story. I read The New Jim Crow. I talked to people. I was informed. After many months working with and getting to know incarcerated youth in Richmond, VA I figured out how little I really knew.

Let me make this clear. I will refer to these teens as boys. They are not young men that need grit to get by and make it. They are boys that have been dealt a bad hand and need our help. They are between the ages of 13 and 16.

The boys I met this summer are brilliant. On the first day, one of them talked about the 4 quadrants of the brain and how each functioned. All I could think was “why is this boy in prison?” The system that has these boys in and out of prison is not broken. It works very well for those that benefit from it – – and that is not the boys or the community. It is our job to take care of them. We need to love them, support them and help them help themselves.

I have committed my life to making art that fights for equity and justice. Learning about the industrial prison complex and youth incarceration has been an intense experience already. The boys we spent time with came in the room with a very hard exterior that was influenced by some terrible experiences I cannot begin to comprehend. When we spent time with them and witnessed their talking, bonding, writing and making art, we saw the youth that was hidden under the thick skin they have had to develop. Their eyes lit up, and they betrayed the persona they have had to construct to survive their existence on this earth. I want the world to see the results of the school-to-prison pipeline and the honest results of systemic racism.

We need your support. People are often asking “What Can I do? Well this is a chance to do something. Help us make this film so we can share this story and fight for justice.

About Director André Robert Lee

André’s resume includes, New York City Public Schools, The Ford Foundation, Miramax Films, Urbanworld, Film Movement, Diana Ross, BET, Universal, HBO, Picturehouse, and Dreamworks. André directed and produced The Prep School Negro. He has visited hundreds of high schools, colleges, universities and conferences with the workshop and is booked through 2019. André also served as producer on the documentary I’m Not Racist…Am I?  He received a Fellowship in 2013 from Colorlines.com, a division of Race Forward, and was tasked with Directing and Producing the 12-month series Life Cycles of Inequity: A Colorlines Series on Black Men. André also directed an episode of the Webby-nominated digital series “The Election Effect” with Shine Global for Paramount Network. He is currently in development for a narrative feature film about the life of Bayard Rustin. André also teaches Filmmaking at the Germantown Friends School where he is working to develop a film program for Middle and Upper School.

Notes from Susan: Why We’re Making Virtually Free

Notes from Susan: Why We’re Making Virtually Free

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Notes from Susan: Why We’re Making Virtually Free


By Susan MacLaury

On any given day in the US more than 50,000 kids are imprisoned, severely limiting their futures. This fact deeply troubled us and prompted our search for a way to address it cinematically, realistically, and tempered with hope.  We are now raising funds to finish Virtually Free on Kickstarter.

In early 2017 we met Mark Strandquist, co-director of Performing Statistics in Richmond, VA. They were to partner that summer with young detainees to create activist art, including a virtual reality jail cell, and we decided to document the 8-week program that brought detainees from detention to an art program daily to work with different artists. Their culminating project would be the creation of a virtual jail cell that would be incorporated into training for all 700 members of the Richmond police force to open their eyes to the impact of incarceration on children.

André Robert Lee, who had directed one of the episodes in our Webby-nominated digital series, “The Election Effect,” joined us as the film’s director. Like us, André was immediately interested and as a social activist he also saw the film’s potential to contribute to potential change in America’s juvenile detention system. The director of The Prep School Negro and producer of I’m not a Racist, am I?, André is an experienced outreach and engagement expert with a network of thousands of schools and cultural programs who have seen his films. He was the perfect partner for the outreach and social engagement we are planning for Virtually Free.

Imagine what these kids could do for themselves and society if given the attention and care they’ve lacked but desperately need. Virtually Free will be a vehicle to create conversations nationally among police, at-risk teens, juvenile justice advocates, and arts educators. It gives a voice to those who’ve been silenced before they were ever given the opportunity to speak. Let’s not give up on any of our kids.

Notes from Susan: Why We’re Making Virtually Free

Notes from Susan: Separating Children From Their Parents

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Notes from Susan: Separating Children From Their Parents


By Susan MacLaury

I don’t usually blog at 1am but sleep is elusive tonight. I’ve spent a good part of today thinking about the immigrant children and parents being forcibly separated at our borders. I keep imagining my young granddaughters being taken from their parents and I honestly can’t bear the thought.

Who among us as a child didn’t lose a parent in a public place and experience terror at feeling abandoned? Is the pain of a parent who’s lost sight of his or her child any less? What would we feel in the place of these adults who’ve risked everything to get to this country in the hope of a better life for themselves and their children only to lose the very loved ones they’ve risked everything for?

Before co-founding Shine Global I worked with teens as a social worker. Many of the kids in programs I ran had either lost or never known a parent and every one of them was impacted by this negatively.

I saw this clinically but also understood it viscerally having lost my own father at the age of 5 when he was killed in the Korean War. I was lucky in the sense that I had a strong and loving mother and eventually a caring stepfather, but like any other child who has experienced this loss my life was affected forever.

Shine has worked on many films in the past 13 years and has told the stories of children who’ve also lost parents yet manage to go on with grace and courage. Our two most recent films – Tre Maison Dasan (currently in festivals) and the juvenile justice documentary currently in production– are cases in point. In one, 3 young boys struggle with the incarceration of their parents. In the other, 3 older boys who’ve lost their parents founder and are ultimately incarcerated. The loss of all 6 is palpable.

Today we are collectively bearing witness to a crisis in process and we face a choice: Do we voice our outrage at this inhumanity, knowing that it may very well damage innocent children’s lives forever, or do we allow this administration to “double down” and stonewall until – God forbid – this travesty becomes normalized as school shootings apparently have.

As of today, 12 hours after initially writing this piece, President Trump has announced that he “will be signing something in a little while” that will keep families together in detention. This doesn’t address those children already forcibly separated, some of whom have apparently been flown to shelters on the east coast.

Immigration is a complicated issue and I don’t pretend to know how best to address it, but trying to leverage children to gain political advantage is unconscionable. This is not a political issue. This is not a Democrat vs. Republican issue. This is a humanitarian issue and the lives of thousands of adults and children are at stake.

Please take the time to voice your dissent and keep the pressure on this administration to protect these families. Contact your legislators and implore them to step up and do the right thing. Let us help to reunite these families.

FURTHER RESOURCES

An Overview of the facts and situation from NPR:
https://www.npr.org/2018/06/19/621065383/what-we-know-family-separation-and-zero-tolerance-at-the-border

Join an event near you on June 30th (also download posters, social media graphics, sign a petition)
https://www.familiesbelongtogether.org/

Sign a petition:
https://actionnetwork.org/petitions/end-the-incarceration-of-migrant-children-now

Shine Global to Receive Grant from the National Endowment for the Arts for Film On Juvenile Justice

Shine Global to Receive Grant from the National Endowment for the Arts for Film On Juvenile Justice

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Shine Global to Receive Grant from the National Endowment for the Arts for Film On Juvenile Justice


The National Endowment for the Arts Chairman Jane Chu has approved an Art Works grant of $20,000 to Shine Global for post-production of our current documentary directed by André Robert Lee focusing on juvenile justice and alternatives to incarceration in Richmond, VA. Produced by Susan MacLaury and Alexandra Blaney, the film follows the story of three young teens in detention who are working with artists to make art that will help train local police.

We believe this project has the potential to reach beyond the traditional documentary audiences and really engage on a critical issue facing our country with those who are in a position to affect real change in our juvenile justice system. With the support and example of the Richmond Police Department, we hope to host screenings and trainings with police departments across the country.

The NEA Art Works category supports projects that focus on the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and/or the strengthening of communities through the arts.

“The variety and quality of these projects speaks to the wealth of creativity and diversity in our country,” said NEA Chairman Jane Chu. “Through the work of organizations such as Shine Global, NEA funding invests in local communities, helping people celebrate the arts wherever they are.”

For more information on projects included in the NEA grant announcement, visit arts.gov/news.

Shine Global is an award-winning non-profit media company that gives voice to children and their families by sharing their stories of resilience to raise awareness, promote action, and inspire change. We produce inspiring films and compelling content about at-risk children. Through tailored distribution and outreach, we connect with our audiences in communities, classrooms, museums, and on capitol hill as part of a powerful engagement campaign to encourage social change.

Waiting for Mamu available online and inspiring donations to build a new home for prison children in Nepal

The ECDC Butterfly Home under construction in Nepal.

The ECDC Butterfly Home under construction in Nepal.

Demonstrating the power of film to transform children’s lives, Waiting For Mamu, the short documentary directed by Thomas Morgan and produced in association with Shine Global, has successfully raised enough funds for the Early Childhood Development Center (ECDC) to begin construction on a new home for the children featured in the film.  If they are able to raise $227,000 more, the home will be finished in October!

The film tells the story of Pushpa Basnet as she rescues children from the floors of Nepal’s prisons where they’ve been sentenced with their parents when she is surprised by worldwide recognition as the 2012 CNN Hero of the year.  The stigma of having parents in prison has made it difficult to find permanent housing for all of the children so the “Butterfly Home” is a long awaited solution.  For the first 60 days the film was available online at mgo.com/mamu, all proceeds went to the construction of the home and going forward, all the filmmakers’ proceeds will be donated, so check out the beautiful story and know that you are also helping construct a home for these children in need.

Waiting for Mamu is now available to watch online on: