Sundance 2026 Shine Global Recap: Radical Hope, Collective Care, and Why Filmmaker Support Matters More Than Ever

Sundance 2026 Shine Global Recap: Radical Hope, Collective Care, and Why Filmmaker Support Matters More Than Ever

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Sundance 2026 Shine Global Recap: Radical Hope, Collective Care, and Why Filmmaker Support Matters More Than Ever 

(L-R) NFMLA panelists Gianfranco Fernández-Ruiz, an NFMLA alumni filmmaker and ambassador; Jessica Just, actor-producer and CEO and co-founder of Creating Creators; Alexandra Blaney, co-CEO and creative director of Shine Global; and Kylie Eaton, filmmaker and executive director of the Alliance of Women Directors at Sundance Film Festival 2026.

Attending Sundance can feel like an odd contradiction: gathering in celebration of independent film while, outside the mountains of Park City, the world feels increasingly unsteady, marked by conflict, injustice, fear, and accelerating change. And yet, inside the Filmmaker Lodge on the afternoon of Sunday, January 26, something else was palpable: collective care. Shared commitment. Radical hope.

At a moment when the film industry is undergoing profound disruption — from consolidation and shrinking opportunities to rapid technological shifts — filmmakers and nonprofit leaders came together not just to discuss how films get made, but how storytellers endure. Shine Global was honored to co-present the official panel From First Break to Lasting Impact: Building Creative Pipelines in Film & Media, alongside NewFilmmakers Los Angeles (NFMLA), Alliance of Women Directors (AWD), and Creating Creators. Together, we convened an engaged Sundance audience around one urgent belief: The future of independent film depends not only on bold stories — but on the systems that sustain the artists who tell them.

Moderated by Sola Fasehun, founder of The Distribution Collective and The Diversity and Inclusion Film Festival, the panel explored what it takes to build lasting creative careers across every stage of the filmmaker journey. Panelists included Shine Global’s co-CEO and Creative Director Alexandra Blaney, Gianfranco Fernández-Ruiz (NFMLA and Shine Global supported filmmaker), Kylie Eaton (AWD), and Jessica Just (Creating Creators), each sharing real-world models of support that help filmmakers thrive even as the ground shifts beneath the industry in real time.

For Shine Global, that support is a long-term commitment to harnessing the power of film to improve children’s lives. On the panel, Alexandra Blaney talked about the importance of distribution to this commitment. She explained that it’s not just launching a film, but making sure it continues reaching and inspiring audiences years later. That ongoing care, and staying in relationship with participants, filmmakers, and partners, is core to how Shine Global operates. Because when a film tackles injustice, the issue doesn’t go away when the credits roll.We also highlighted Shine Global’s Resilience Awards, which provide support to filmmakers celebrating children’s resilience while navigating an increasingly unpredictable film industry. One of 2025’s short film finalists directors, Gianfranco Fernández-Ruiz, joined us on the panel and reminded the audience that sustaining artists is just as important as celebrating their premieres.

At its heart, our work is about, as Alexandra put it: “Bringing a love of movies to change the world.” And doing it alongside “amazing, good people.”

At Sundance, those good people were everywhere. From our fellow panelists on stage, to partner organizations, to advocates, and to the artists committed not only to the craft of filmmaking, but to ensuring that it has real impact on the lives of people around the world. That included inspiring Sundance films like One In a Million (following a young refugee over the course of 10 years) to the hopeful community activism story of Everybody to Kenmure Street, to the premiere of previous Resilience Award winner Edward Lovelace (Name Me Lawand)’s new film Antiheroine, we were reminded that powerful storytelling takes time and strong support systems.

In a time of turmoil, Sundance offered us something worth celebrating: a community of people who still care, who are still building, and who believe in story as a force for connection, truth, and change. With gratitude to everyone who joined us in Park City, and to our broader Shine Global community for continuing to believe in what storytelling makes possible.

Read more about the panel in MovieMaker Magazine here and watch the full recording of the panel on YouTube here.

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ABOUT SHINE GLOBAL

Shine Global is a nonprofit media company that improves the lives of children by telling powerful stories to raise awareness, promote action, and inspire change. We produce and support inspiring films and compelling content about underserved children. Through tailored distribution and outreach, we connect with our audiences in communities, classrooms, museums, and on Capitol Hill as part of a powerful engagement campaign to encourage social change.

Since our founding in 2005 by Susan MacLaury and Albie Hecht, Shine Global films have won more than 100 major awards, including an Academy Award® for Best Documentary Short Subject for Inocente, an Academy Award® nomination for Best Live Action Short for Anuja, and an Academy Award® nomination and two Emmys® for War/Dance. Recent films include the documentary-animation hybrid Liyana, the hit documentary The Eagle Huntress, Through Our Eyes: Homefront which is available on HBOMax, the Ariel Award winner Home Is Somewhere Else, and Comedy Against the Odds which is currently in film festivals.

ABOUT SHINE GLOBAL’S RESILIENCE AWARDS

The Shine Global Resilience Awards were created to honor films that highlight the strength, dignity, and power of children in the face of adversity. Past winners of Shine Global Resilience Awards include the feature documentaries Speak. (2025, Directed by Guy Mossman and Jennifer Tiexiera), Daughters (2024, Directed by Angela Patton and Natalie Rae), Name Me Lawand (2023, Directed by Edward Lovelace), and Lift (2022, Directed by David Petersen), Los Frikis (2024, written and directed by Tyler Nilson and Michael Schwartz) in partnership with Nantucket Film Festival, the short Rise (2025, Directed by Jessica J. Rowlands), the short documentary Ayenda (2023, directed by Marie Margolius) in partnership with Heartland Film’s Indy Shorts International Film Festival, Okthanksbye (2023, Nicole Van Kilsdok) with ReelAbilities Film Festival, Savauges (2024, directed by Claude Barras), and Dounia – The Great White North (2024, directed by Marya Zarif and André Kadi) in partnership with the New York International Children’s Film Festival.

Leading Nonprofits and Creative Organizations Unite for a Panel at the 2026 Sundance Film Festival to Address the Future of Filmmaker Sustainability 

Leading Nonprofits and Creative Organizations Unite for a Panel at the 2026 Sundance Film Festival to Address the Future of Filmmaker Sustainability 

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Leading Nonprofits and Creative Organizations Unite for a Panel at the 2026 Sundance Film Festival to Address the Future of Filmmaker Sustainability

PARK CITY, UT — January 14, 2026 — As the independent film industry faces unprecedented disruption — from consolidation and shifting business models to rapid technological change — an Official panel at the 2026 Sundance Film Festival will bring together nonprofit leaders and creative advocates working to sustain the careers of filmmakers at every stage.

From First Break to Lasting Impact: Building Creative Pipelines in Film & Media, presented by NewFilmmakers Los Angeles (NFMLA), Alliance of Women Directors (AWD), Shine Global, and Creating Creators, will take place at the Filmmaker Lodge on Main Street, moderated by Sola Fasehun, founder of The Distribution Collective and The Diversity and Inclusion Film Festival.

The panel connects with what Sundance Institute has long represented: not only the discovery of new voices, but the communities, mentors, and institutions that help those voices endure. At a moment when many creators are struggling to navigate shrinking opportunities and an increasingly fragmented industry, the conversation reframes success beyond individual projects — toward sustainable, long-term creative careers.

Panelists will discuss how intentional career pipeline programs support artists across the full arc of their journeys: from early discovery and skill-building, to mid-career growth and leadership, to long-term sustainability and legacy. Drawing on real-world models of mentorship, professional development, funding access, and community-building, the discussion will explore how aligned ecosystems can better serve filmmakers — and why that work has never been more urgent.

“Independent film is at an inflection point,” said the organizing partners in a joint statement. “As consolidation reshapes the business and new technologies disrupt traditional pathways, the question isn’t just how films get made — it’s how filmmakers survive, evolve, and stay in the industry at all. If we don’t invest in sustainable career pipelines now, we risk losing an entire generation of storytellers.”

Panel Details

Date: Sunday, January 25, 2026
Time: 1:30 PM – 3:00 PM MT
Location: Filmmaker Lodge
550 Main Street, Park City, UT 84060

RSVP: Requested by January 23, 2026 at 2:00 PM MT
(A free Sundance profile is required; entry subject to capacity)
https://festival.sundance.org/program/partner-event/696013ba7cf1ef53a87d9966
For any accessibility needs, please send us a request by email to info@NFMLA.org at least 72 hours prior to the event.

Panelists

Gianfranco Fernández-Ruiz
Filmmaker & Ambassador, NewFilmmakers Los Angeles (NFMLA); Gianfranco Fernández-Ruiz is an award-winning writer-director whose short film When Big People Lie premiered at Telluride, screened at Cannes, and was profiled by Deadline. The film was also a Shine Global Resilience Award finalist in partnership with Indy Shorts and featured as part of Shine Global’s Fall Screening Series. Named NFMLA’s 2024 Best New Filmmaker, he earned his MFA in Directing from the AFI Conservatory. His debut feature, Summer of Mercedes, is currently in development.

Kylie Eaton
Executive Director, Alliance of Women Directors (AWD)
Kylie Eaton leads strategic growth, fundraising, and membership expansion at AWD. A director and writer, her work centers women’s lived experiences and includes the award-winning short DISPEL, starring Gina Torres.

Alexandra Blaney
Co-CEO & Creative Director, Shine Global
Alexandra Blaney leads content development and impact storytelling at Shine Global, a nonprofit media company founded by producers of Oscar®- and Emmy®-winning films. Her producing credits include the Academy Award®–nominated short Anuja. She also created and leads Shine Global’s Resilience Awards Initiative, which supports filmmakers centering children’s stories around the world.

Jessica Just
CEO & Co-Founder, Creating Creators
Jessica Just is an actress, producer, and editor who began her career at Miramax and Apostle Films. She is currently a partner at Open Perspective Media and leads Creating Creators’ mission to align education with real-world creative and entrepreneurial filmmaking skills.

Moderator

Sola Fasehun
Founder, The Distribution Collective; Fasehun Films; Diversity and Inclusion Film Festival
Sola Fasehun has worked across sales, distribution, representation, and production, including roles at UTA and Submarine Entertainment. She is a longtime advocate for equity, access, and sustainability within the film ecosystem.

About the Organizations

NewFilmmakers Los Angeles (NFMLA) is a nonprofit organization championing emerging and independent filmmakers through screenings, professional development, and global community-building, with a focus on underrepresented voices.

Alliance of Women Directors (AWD) is a nonprofit dedicated to achieving gender parity in the entertainment industry by increasing the number of working women and gender-diverse directors through mentorship, craft enrichment, and industry partnerships.

Shine Global is a nonprofit media company that has produced the Oscar®-winning film Inocente and Academy Award®-nominated films Anuja and War/Dance, the latter of which premiered at the Sundance Film Festival in 2007 and later won two Emmy® Awards. The organization is dedicated to improving the lives of children through powerful storytelling and filmmaker support initiatives.

Creating Creators supports emerging talent by bridging education and industry, aligning classroom learning with the collaborative and entrepreneurial rigor of film production.

From First Break to Lasting Impact offers a timely reminder: the future of independent film depends not only on bold stories, but on the systems that sustain the people who tell them.

###

ABOUT SHINE GLOBAL

Shine Global is a nonprofit media company that improves the lives of children by telling powerful stories to raise awareness, promote action, and inspire change. We produce and support inspiring films and compelling content about underserved children. Through tailored distribution and outreach, we connect with our audiences in communities, classrooms, museums, and on Capitol Hill as part of a powerful engagement campaign to encourage social change.

Since our founding in 2005 by Susan MacLaury and Albie Hecht, Shine Global films have won more than 100 major awards, including an Academy Award® for Best Documentary Short Subject for Inocente, an Academy Award® nomination for Best Live Action Short for Anuja, and an Academy Award® nomination and two Emmys® for War/Dance. Recent films include the documentary-animation hybrid Liyana, the hit documentary The Eagle Huntress, Through Our Eyes: Homefront which is available on HBOMax, the Ariel Award winner Home Is Somewhere Else, and Comedy Against the Odds which is currently in film festivals.

ABOUT SHINE GLOBAL’S RESILIENCE AWARDS

The Shine Global Resilience Awards were created to honor films that highlight the strength, dignity, and power of children in the face of adversity. Past winners of Shine Global Resilience Awards include the feature documentaries Speak. (2025, Directed by Guy Mossman and Jennifer Tiexiera), Daughters (2024, Directed by Angela Patton and Natalie Rae), Name Me Lawand (2023, Directed by Edward Lovelace), and Lift (2022, Directed by David Petersen), Los Frikis (2024, written and directed by Tyler Nilson and Michael Schwartz) in partnership with Nantucket Film Festival, the short Rise (2025, Directed by Jessica J. Rowlands), the short documentary Ayenda (2023, directed by Marie Margolius) in partnership with Heartland Film’s Indy Shorts International Film Festival, Okthanksbye (2023, Nicole Van Kilsdok) with ReelAbilities Film Festival, Savauges (2024, directed by Claude Barras), and Dounia – The Great White North (2024, directed by Marya Zarif and André Kadi) in partnership with the New York International Children’s Film Festival.

Back at Sundance Film Festival to start 2023

Back at Sundance Film Festival to start 2023

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Back at Sundance Film Festival to start 2023

 

Susan, Albie, and Alex were back in Park City this January for the return to in-person Sundance Film Festival and as always is was both exhausting and exhilarating!

We wanted to share some of our favorite films from the festival so you can keep an eye out for when the films are released!

Radical
Based on true events, Radical shines a light on the incredible potential children can manifest when an innovative teacher empowers them to think for themselves. Starring the incredible Eugenio Derbez as the inspirational teacher Sergio Juarez, who won’t give up on the sixth grade students at an elementary school in Matamoros, Mexico.

 

Fairyland
Based on the 2013 memoir, the film tells the story of Alysia (played by Emilia Jones of CODA) who is uprooted by her father following the death of her mother in hopes of restarting his life in 1970s San Fransisco, and their complex father-daughter relationship.

 

A Thousand and One
Writer/Director A.V. Rockwell’s feature debut tells the story of a mother living in 1990s New York City who kidnaps her 6-year-old son out of foster care so they can build a life together.

 

 

Polite Society
In this British action comedy, Ria Khan believes that she must save her older sister Lena from her impending marriage. After enlisting her friends’ help, she attempts to pull off the most ambitious of wedding heists, while pursuing her dream of becoming a stunt double.

 

Deep Rising
Narrated by Jason Momoa, Deep Rising uses stunning underwater photography and fly-on-the-wall access to a deep sea mining extraction company to question the electric battery revolution.

 

 

The Persian Version
An uplifting and engrossing comedy-drama, the film tells the story of Leila and her Iranian American family with seven brothers and her struggles to connect with her mother.

 

 

Kim’s Video
This playful heist documentary investigates the origins of many cinephile’s favorite NYC video store, Kim’s Video, and the fate of the collection after it closed.

Sundance Film Festival – an inspiring start to 2020

Sundance Film Festival – an inspiring start to 2020

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Sundance Film Festival – an inspiring start to 2020

 

Alex, Sean, Susan at Sundance 2020

We look forward to going to Sundance every January – even the years when it snows so much it takes twice as long to get anywhere! The Shine Global team meets with others working in the film for impact space, funders, distributors, and most especially amazing filmmakers – all working to make the world a better place through the power of film. The week is both exhausting and exhilarating and we bring that inspiration back with us to our work at Shine Global.

One of the best parts of Sundance is of course the HBO Docs party – just kidding! It’s the movies! We get to hear and see many new voices for the first time and we wanted to share some of our favorites so you can be on the lookout for them when they are playing in your community or are released in theaters/online. (listed In no particular order)

The Truffle HuntersThe Truffle Hunters
Deep in the forests of Northern Italy resides the prized white Alba truffle. Desired by the wealthiest patrons in the world, it remains a pungent but rarified mystery. It cannot be cultivated or found, even by the most resourceful of modern excavators. The only souls on Earth who know how to dig it up are a tiny circle of canines and their silver-haired human companions—Italian elders with walking sticks and devilish senses of humor—who only scour for the truffle at night so as not to leave any clues for others.
Sony Pictures Classics snapped up this film – so it will be coming to theaters across the US.

SoftieSoftie
The doc, which is the first Kenyan-produced movie to premiere at Sundance, will air as part of the POV’s 33rd season, which kicks off on PBS in June.
The doc follows political activist Boniface “Softie” Mwangi, who decides to run for office after years of fighting injustice in Kenya. While campaigning, Mwangi begins to realize the difficulty of combating his corrupt opponents with idealism alone, and soon finds that challenging the country’s entrenched political dynasties is putting his family at risk. The daring and audacious activist is then forced to decide if country really comes before family, as he’s always believed.

The Reason I JumpThe Reason I Jump
This Audience Award winning Documentary is an immersive cinematic experience of nonspeaking autistic people across the world, The Reason I Jump is based on a book written by Naoki Higashida when he was just 13. The film follows a young Japanese boy on a journey through an epic landscape. As a maelstrom of thoughts, feelings, impulses, and memories affects his every action, he gradually discovers what his autism means to him, how his perception of the world differs from others’, and why he acts the way he does—the reason he jumps.

 

Acasa My HomeAcasa, My Home
won the World Cinema Documentary Special Jury Award for Cinematography
For two decades, the Enache family—nine kids and their parents—lived in a shack in the wilderness of Bucharest Delta: an abandoned water reservoir, one of the biggest urban natural reservations in the world, with lakes and hundreds of species of animals and rare plants. When the authorities decide to claim back this rare urban ecosystem, the Enache family is evicted and told to resettle in the city—a reality they know nothing about.

 

HerselfHerself
This fiction film was a breakout at the festival and was purchased by Amazon. It tells the story of Sandra, an Irish single mother of two young girls, who faces a dire situation. An attack by her abusive ex-husband and a housing crisis in Dublin leave her living in fear and unable to find a new home. Temporarily living with her two daughters in a cramped hotel room and battling a system that refuses to help her, Sandra is determined to create some stability and security for the three of them. Seeing no other options, she decides to build her own house, literally and metaphorically pouring the foundation of her own future.

MinariMinari
Winner of both the U.S. Grand Jury Prize: Dramatic and Audience Award: U.S. Dramatic this charming fiction film stars Steven Yeun.
It’s the 1980s, and David, a seven-year-old Korean American boy, is faced with new surroundings and a different way of life when his father, Jacob, moves their family from the West Coast to rural Arkansas. His mother, Monica, is aghast that they live in a mobile home in the middle of nowhere, and naughty little David and his sister are bored and aimless. When his equally mischievous grandmother arrives from Korea to live with them, her unfamiliar ways arouse David’s curiosity. Meanwhile, Jacob, hell-bent on creating a farm on untapped soil, throws their finances, his marriage, and the stability of the family into jeopardy.

On The RecordOn The Record
This documentary presents the haunting story of music executive Drew Dixon, whose career and personal life have been deeply affected by the abuse she faced from the men she admired in the industry she loves. Directed by the Academy Award–nominated filmmaking duo Kirby Dick and Amy Ziering (The Invisible War, 2012 Sundance Film Festival), the film follows Dixon (producer of hit records by 2Pac, Method Man, and Mary J. Blige) as she grapples with her decision to become one of the first women of color to come forward as part of the #MeToo movement.
It will be on HBOMax.

TimeTime won the Directing Award for U.S. Documentary and was just purchased by Amazon.
Fox Rich is an entrepreneur, author, and mother of six who has spent the last 21 years fighting for the release of her husband, Rob, who is serving a 60-year sentence for an offense they both committed. She is assured and committed to sharing their story. When their sons speak to growing up without their father, they do so with a softer vulnerability than Fox can concede to. But home-video diaries she records for Rob offer unfettered glimpses into years of longing, pain, and hopeful anticipation of reuniting.

 

HAPPY WATCHING!

Sony Pictures Classics Buys The Eagle Huntress After Successful Sundance Premiere

TheEagleHuntress-AltaiMountains

The Eagle Huntress, directed by Otto Bell and produced in association with Shine Global, made its premiere at the 2016 Sundance Film Festival on Sunday, January 24th, to a standing ovation and the praise hasn’t stopped since.

Film critic Kenneth Turan picked it out as one of his Sundance favorites when talking with NPR’s Steve Inskeep and in his review in the LA Times called the film ” enchanting” and said “falling under its sway is inevitable.”  Variety described the film as an “entertaining slice of real-life inspirational adventure.”  Melissa Silverstein at Indiewire writes that “this film is my new obsession. Aside from being one of the most beautifully shot movies I have ever seen, this movie tells an incredible story of the first-ever girl trained to be an Eagle Hunter.”  And Deadline describes the film as “one of the best reviewed docus of 2016 Sundance” saying “what director Otto Bell captured on screen is unprecedented.”

The documentary tells the story of Aisholpan, a 13-year-old Mongolian girl who wants to become the first female Eagle Hunter in 2,000 years of male-dominated history. Under the tutelage and support of her father, she learns the traditions of being an Eagle Hunter, including capturing and training her very own eagle to compete against men from all over the country in the annual Golden Eagle Festival.  Aisholpan and her parents made the trip from Mongolia to Park City, Utah to be there for the premiere and were certainly one of the highlights of the many festival events.  As Aisholpan couldn’t bring her own eagle, White Wings, all the way from Mongolia, members of the Commanche tribe in Oklahoma were able to bring eagles for demonstrations throughout the week.

Just before the premiere, Star Wars: The Force Awakens star Daisy Ridley signed on as an Executive Producer to help bring her clout to promote the film.  Said Ridley: “I was deeply moved by Aisholpan’s story and wanted to be a part of this beautiful film. I feel audiences and young girls around the world will be as inspired by her story as I was, and I am so proud to share her journey with the world.”

To cap off the successful Sundance run as the first documentary to premiere in the Sundance Kids section, Sony Pictures Classics acquired North American rights to The Eagle Huntress, in a deal that includes select international territories as well including Australia, New Zealand, Latin America, Germany, Scandinavia and Asia. SPC will plot a significant theatrical release for the film.  In addition, several companies are also negotiating for the right to turn Aisholpan’s story into an animated feature, with plans for Ridley to provide the voice for the young heroine.