The Harvest (La Cosecha) + Live Panel Discussion June 12th, World Day Against Child Labor

The Harvest (La Cosecha) + Live Panel Discussion June 12th, World Day Against Child Labor

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Free Virtual Screening of The Harvest (La Cosecha) + Live Panel Discussion June 12th 8pmET/5pmPT, World Day Against Child Labor

 

 

 

WATCH AT ANYTIME THEN JOIN THE LIVE PANEL DISCUSSION ON FRIDAY 6/12 – WORLD DAY AGAINST CHILD LABOR – AT 8PMET/5PT

Live Panel discussion with Congresswoman Lucille Roybal-Allard (CA-40), Former Child Farmworker Featured in the Film Zulema Lopez, Former Child Farmworker Norma Flores López who is Chief Programs Officer at Justice for Migrant Women, and Moderated by Executive Producer and Co-Founder of Shine Global Susan MacLaury

Donations will be shared with the Farmworkers’ COVID-19 Pandemic Relief Fund

LIVE Panel Discussion
Friday, June 12th
8pmEST/5pmPST
REGISTER

 

 
How to Watch

1. Click here to go the screening page on Eventive

2. If your screen says “Watch Now,” simply click to begin  viewing. If your screen says “Unlock,” enter your email and password (you will need to create an account with Eventive if you don’t have one already) and the page will take you to the “Watch Now” screen.

3. You have until June 12th at 8pmET to begin watching the film after unlocking.  Once you begin watching, you have 48 hours to complete the film.  You can watch at anytime before the panel discussion – the film is 80 minutes long.

4.  On Friday, June 12th at 8pmET/5pmPT the same page will host the live Panel Discussion.  You must be signed into your account to view.  You can type questions and comments into the chat box.

5. If you’d like to make it a Movie Night, follow this timeline to join in the fun simultaneously with the filmmakers and friends across the country:

Friday, June 12th
6:30pm EDT (NY) / 3:30pm PDT (CA)
Log in to Eventive to watch The Harvest (La Cosecha) from the comfort of your home. The film is 80 minutes long.

7:50pm EDT (NY) / 4:50pm PDT (CA)
10 minute break – get your questions ready

8:00pm EDT (NY) / 5pm PDT (CA)
Participate in our live Q&A and panel discussion

If you have any questions or concerns, feel free to reach out to sean@shineglobal.org for assistance and you can view the FAQ from Eventive

ABOUT THE EVENT

In observance of World Day Against Child Labor, Shine Global is hosting a free virtual screening of their 2011 documentary about child labor in the US THE HARVEST (LA COSECHA).  The screening will be followed by a panel discussion with experts and participants in the film – including Congresswoman Lucille Roybal-Allard – who will discuss the current situation of child labor in the US, what is being done to support these children, and what still needs to be done to ensure their safety and futures.

Directed by award-winning photographer and filmmaker U Roberto Romano, THE HARVEST (LA COSECHA) tells the stories of three adolescents who travel with their families across thousands of miles to pick crops in southern Texas, northern Michigan, and northern Florida during the harvest season.  Actor Eva Longoria served as executive producer.

“It’s my sincere hope that this documentary will withstand the test of time to remind future generations that child labor, no matter what industry, is absolutely deplorable and wrong,” said Eva Longoria upon the release of the film in 2011.

That is why Shine Global, the non-profit media company dedicated to giving voice to children and families, has organized this screening and panel discussion on World Day Against Child Labor.  According to the UN, there are an estimated 152 million children in child labor around the world, 72 million of which are in hazardous work. This is an issue in the United States as well, with an estimated 500,000 children working in the fields to harvest the food we all eat. With COVID-19, these children are now at even greater risk and facing even more difficult circumstances.

The Fair Labor Standards Act of 1938 excluded agriculture allowing children 12-years-old and even younger to pick produce.  Congresswoman Lucille Roybal-Allard, who will be speaking on the panel, has authored the CARE Act to change this by increasing the minimum age of child workers to 14-years-old and to end the separate and unequal status farmworker children now endure.  (read more on the CARE Act here).

The panel will also feature Zulema Lopez, who was featured at age 12 in the film, and Norma Flores López who is also a former child farmworker and is now a well-known farmworker rights activist. The discussion will cover issues of child labor presented in the film and efforts in the US to mitigate this practice.

Any donations raised will be shared with the Farmworkers’ COVID-19 Pandemic Relief Fund set up by Justice for Migrant Women and Hispanics in Philanthropy to help keep farmworker families safe from COVID-19 as they perform “essential” work to feed us.

 

Congresswoman Lucille Roybal-Allard (CA-40)

In 1992, Lucille Roybal-Allard became the first Mexican-American woman elected to Congress. Last year, she became the first Latina to serve as one of the 12 “cardinals,” or chairs, of a House Appropriations Subcommittee. Congresswoman Roybal-Allard is author of The Children’s Act for Responsible Employment (CARE) to address abusive and exploitative child labor practices in agriculture. She is a prominent advocate for children and families as co-chair of the Maternity Care Caucus, vice chair of the Labor-HHS-Education Appropriations Subcommittee, and vice chair of the Task Force on Aging and Families. She is also an original co-author of The Dream Act, which would allow certain U.S.-raised immigrant youth to earn lawful permanent residence and eventual American citizenship. In 2019, she introduced the newest version of this bill: HR 6, The Dream and Promise Act.

 

Zulema Lopez, Child Rights Activist, Featured in the film The Harvest (La Cosecha)

Zulema Lopez is a Michigan State university Graduate with a bachelor’s degree in Human Capital and Society from the Human Resources And Labor Relations college at MSU. Throughout her 23 years she has been able to overcome the harsh obstacles she faced as a migrant farm worker and has used her platform to advocate for child labor laws. Zulema participated in the documentary The Harvest (La Cosecha) at age 12, in which her life as a child migrant worker was documented to show the underlying issues of the child labor in the US. In  2018 she was a guest panelist at the 107th Session of the International Labour Conference in Geneva, Switzerland where she spoke on the issues of child labor in the US. Most recently in 2019, Zulema returned to her home state of Texas to attend two conferences where she shared her story to help motivate students with a similar background. Zulema continues to be a child labor activist in hopes that there will be change to come.

 

Norma Flores López, Chief Programs Officer at Justice for Migrant Women

Norma Flores López grew up as a child of a migrant farmworker family from South Texas. She began working in the fields at the age of 12, where she continued working until she graduated from high school. She has long been an active advocate for migrant farmworker children’s rights and continues to raise awareness on issues affecting the farmworker community. Norma serves on the Board of Directors for the National Consumers League, is the chair of the Child Labor Coalition’s Domestic Issues Committee, and the representative for the United States on the Board of Directors for Global March Against Child Labour. Prior to joining Justice for Migrant Women, Norma was the Governance and Development/Collaboration Manager at East Coast Migrant Head Start Project, a co-founder of The Foundation for Farmworkers, served on the Board of Directors for the National Migrant and Seasonal Head Start Association, and was director of the Children in the Fields Campaign at the Association of Farmworker Opportunity Programs.

 

Susan MacLaury – Co-Founder and Executive Director of Shine Global – Moderator

Susan executive produced The Harvest (La Cosecha) as well as the Emmy Award®-winning, Academy Award®-nominated documentary War/Dance, the Academy Award® Winner Inocente, 1 Way Up in 3D, The Eagle Huntress, and Liyana. She is also the producer of The Wrong Light and Virtually Free. Susan is in charge of the educational outreach and social advocacy efforts for all of Shine Global’s films. She is dually degreed in social work administration and health education and was associate professor of health education at Kean University from 1994 through 2013.

 

 

 

 

 

Released in 2011, THE HARVEST (LA COSECHA) is a production of Shine Global, Inc. in association with Globalvision, Inc., Romano Film and Photography, Inc., UnbeliEVAble Productions, EPIX and Planet Green.  Albie Hecht and Susan MacLaury: executive producers for Shine Global, Inc. Eva Longoria: executive producer for UnBeliEVAble Productions, Rory O’Connor: executive producer for Globalvision, Inc. and producer. Alonzo Cantu and Raul Padilla, Executive Producers

 

U. Roberto Romano, Director, Producer, Director of Photography
1958-2013
Roberto Romano was an award winning photographer, filmmaker, and human rights educator. He worked on human rights projects with such organizations as GoodWeave, Amnesty International, Human Rights Watch, The International Labor Organization, Stop the Traffik, The Hunger Project, and The Council on Foreign Relations, among others. He was the Director, Producer, and Director of Photography of The Harvest (La Cosecha). His other film credits include: Dark Side of Chocolate (Director of Photography) about slavery in the West Africa cocoa trade; Stolen Childhoods (Producer, Director, and Director of Photography) about child labor. His powerful photography was also published in many prestigious newspapers and magazines and featured in many galleries and shows.

 

Shine Global is a 501(c)(3) non-profit media company with the mission to give voice to children and their families by telling stories of their resilience to raise awareness, promote action, and inspire change.  Since founding in 2005, we’ve produced and supported over 15 films about children and families and run educational and engagement campaigns that have a real world impact. Our films include the Oscar-winning short docInocenteand the Oscar-nominated War/Dancethe PBS documentaryTre Maison Dasan, and the Webby-nominated digital series The Election Effect.

 

CO-HOSTS

Justice For Migrant Women protects and advances migrant women’s rights through education, public awareness and advocacy. Justice for Migrant Women aims to ensure that all migrant women are guaranteed human and civil rights, including the freedom of mobility, the ability to live and work with dignity, and the right to be free of threats of violence against them and their families, whether they are migrating across borders, around regions or within states. https://justice4women.org/ 

 

 

The Latinx House is a gathering place for people who appreciate and support the Latinx community and who celebrate Latinx excellence in film and entertainment. We are also a space to discuss pressing societal issues and the content creation related to these stories. We will provide engagement, activation and community building opportunities.  https://www.thelatinxhouse.org/

Notes from Susan: Hail to the Chief

Notes from Susan: Hail to the Chief

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Notes from Susan: Hail to the Chief

By Susan MacLaury

TV coverage of the demonstrations being waged across the US reveals that protestors as a group are very diverse, that most who come out do so with the intent to make their concerns known peacefully, and that there are law enforcement officers who sympathize with those demanding change. More than one police chief has been filmed taking a knee, embracing protestors, or walking arm in arm with them.

These moments are harbingers of hope as well as a reminder that the majority of police officers are well-intentioned and have taken their jobs to serve their communities. It can come as a shock to such persons that their efforts, while well-intentioned, don’t always achieve the goals they assume they will.

One case in point was this statement made last week by Alfred Durham, former police chief of Richmond, VA. Mr. Durham was one of three persons doing a Q and A after a screening of Shine Global’s most recent film, the short documentary Virtually Free, filmed in 2017 and 2018. He was Chief Durham then, the head of the Richmond police force. As such, he was one of several unlikely allies who came together to in support of a program called Performing Statistics, then housed by a local arts program, Art 180. Teens in detention were given the opportunity to work with artists in a variety of media making art that expressed who they were and what the experience of incarceration was truly like.

He did so after investigating how many arrests his department had made of kids and to his horror, learned that in a 6 month period between 2014-15, they’d arrested more than 150 kids for very minor offenses. He went on to discover that these arrests were made in schools with police stationed as school resource officers, at a rate 11 times higher than schools without them. He believed they had lost sight of their mission and shut down this practice.

Chief Durham was a strong proponent of community policing, of viewing his cops as “saviors, not warriors,” and he understood that community trust couldn’t be assumed – it had to be earned. Hear how he became involved with Performing Statistics in his own words

I want to take a moment to acknowledge officers like the Chief and the tens of thousands of other police officers who give their all for their communities. Leadership such as he provided is essential to compel police departments to find and give their very best – to all their citizens.

Notes from Susan: What Can We Do?

Notes from Susan: What Can We Do?

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Notes from Susan: What Can We Do?

By Susan MacLaury

I am a white woman old enough to remember the summer of 1967, which Wikipedia notes, ironically, was often referred to as the “Summer of Love” in homage to hippies. It was also the summer of escalation in Vietnam, and an ever-increasing racial injustice that reached a breaking point that June. Cities like Newark, NYC, Atlanta, Chicago, Milwaukee, and Minneapolis – 159 in all -were ravaged by demonstrations that became violent, amplified by police responses that ultimately escalated.  Sound familiar?

By that August, President Johnson had established the Kerner Commission to study the causes of the unrest. It concluded that “our nation is moving toward two societies, one black, one white – separate and unequal,” and recommended increased aid to African-American communities to prevent further unrest. My, how far we haven’t come.

You ask yourself what you can do to help, to try to make a difference of some kind. In my case, I worked with kids of color as a social worker and taught racially diverse college students as a professor. For the past 15 years I’ve been executive director of a non-profit that “shines a light” on underserved kids and families around the world in an effort to foster support for their communities. It’s very satisfying, and has an impact, but is only the first step in the difficult work our society needs to undertake to effect the kind of change we hope for and need.

This is Shine Global’s 15th year, and to celebrate we’re hosting a series of our films. I think they’re wonderful, love seeing them again, recall working on them and the outreach we did with each to bring their message to schools, community programs, cultural centers, and even to Capitol Hill to try to change laws. But they are only one piece in a very complex puzzle.  We use our films to educate and spark conversation and to inspire more actions by people who can make a difference.

So much more must be done. And while I may truly despair over racial injustice, I still come to it from a position of white privilege. I will never have to fear being stopped by police. I never had to warn my children to avoid them, or at worst, be 100% compliant if stopped by them. I assumed they would protect me and my family should the need arise. I never feared being turned away from renting or buying because of my race nor was I ever passed over for a job because of it. I was able to live in safe neighborhoods and send my children to good community schools. I cannot know the despair felt by persons of color. Not ever. Here we are – 53 years later, and it’s still dangerous to be a person of color and embarrassing not to be. Where does this end?

As I was preparing to write this piece my assistant, Sean, sent me a link that I believe gives us a starting point when we ask ourselves: What can we do?  Here’s how you can help. We can look at our own feelings, attitudes and behaviors. It starts with us.

True change will depend on each and every one of us.